Oh my ass burns like fire!

When he wasn’t busy composing some of the most beautiful music ever to seduce the human ear, the legend that is Wolfgang Amadeus Mozart could often be found writing shockingly crude and often baffling letters to his family. The fine example seen here, admirably translated by Robert Spaethling, was penned to Mozart’s 19-year-old cousin and

Thou eunuch of language

Robert Burns is considered one of the greatest poets ever to have lived. He was also, judging by the following letter, more than capable of responding to his few critics. It was penned in 1791 in response to a recent review that criticised a supposed abundance of “obscure language” and “imperfect grammar” in Burns’s poetry,

The Quill Letter

I’ve spoken before about the secretive communication methods used during the Revolutionary War – see The Masked Letter and Fire or Acid – and here’s another, decidedly lower-tech example: The Quill Letter. The idea was simple and effective: messages were delicately written on long, extremely thin strips of paper, then rolled up and inserted into

Fire or Acid

American physicist Benjamin Thompson wrote the following letter in 1775 at the start of the American Revolutionary War, a war during which Thompson, a loyalist, acted as a spy for the British Army. The letter actually contains two different messages. The first, longer message spans three pages, was readable by all and is notable in